Vol. 35 No. Esp. (2024): Luso-Brazilian Modernisms

capa da Convergência Lusíada, v.35, nº Especial

Guest editors:
Andreia Castro (UERJ)
Eduardo da Cruz (UERJ)
Suely Franco (UFRJ)

Published: 2024-04-21

INTRODUCTION

  • Luso-Brazilian Modernisms

    Andreia Castro, Eduardo da Cruz, Suely Campos Franco
    7-11
    DOI: https://doi.org/10.37508/rcl.2024.nEsp.a1318

DOSSIER

  • On the short story as a canon of poetry: Eça, Machado and the aporias of modernity

    Isabel Cristina Rodrigues
    12-40
    DOI: https://doi.org/10.37508/rcl.2024.nEsp.a1214
  • The train and the nation. The backlands and modernity in the Belle Époque

    Carmem Negreiros
    41-69
    DOI: https://doi.org/10.37508/rcl.2024.nEsp.a1265
  • Moderns, yes. Feminists, no – brief considerations on the emancipation of women in João do Rio and Júlia Lopes de Almeida

    Giovanna Dealtry
    70-93
    DOI: https://doi.org/10.37508/rcl.2024.nEsp.a1263
  • Modern matriarch: Dona Ivone Lara

    Leonardo Davino de Oliveira, Maria Verônica da Silva
    94-117
    DOI: https://doi.org/10.37508/rcl.2024.nEsp.a1262
  • “O esforço é grande e o homem é pequeno”: Cleonice Berardinelli and the genesis of Brazilian researchs on Fernando Pessoa

    Rodrigo Xavier
    119-131
    DOI: https://doi.org/10.37508/rcl.2024.nEsp.a1287
  • The modern and its configurations in poems by Charles Baudelaire, Cesário Verde and Fernando Pessoa

    Izabel Margato
    132-148
    DOI: https://doi.org/10.37508/rcl.2024.nEsp.a1288
  • The portrait of the sphinx

    Rafael Santana
    149-175
    DOI: https://doi.org/10.37508/rcl.2024.nEsp.a1290
  • Pessoa shaman

    André Gardel
    176-201
    DOI: https://doi.org/10.37508/rcl.2024.nEsp.a1264
  • Jorge de Sena and Fernando Pessoa: for a modernist criticism

    Lucas Laurentino Oliveira
    202-223
    DOI: https://doi.org/10.37508/rcl.2024.nEsp.a1289
  • Murilo Mendes re-reads Fernando Pessoa

    Aline Leão do Nascimento
    224-249
    DOI: https://doi.org/10.37508/rcl.2024.nEsp.a1301
  • “Hoje somos festa, amanhã seremos luto” – a reading from the favela in Drummond and MC Smith

    Artur Vinicius Amaro dos Santos
    250-267
    DOI: https://doi.org/10.37508/rcl.2024.nEsp.a1315