Mia Couto: escrita e racismo — ou “a arrogância de um único saber”...
DOI:
https://doi.org/10.37508/rcl.2020.n43a370Keywords:
writing, orality, racism, theology, signAbstract
We follow here Mia Couto’s distinction between writing as literary creation — a way of “discovering alterity” — and writing as a cultural practice and technical device that may inhibit that discovery. Understood, in its metaphysical sense, as a secondary and an exterior form of sign representation: “a signifier of the signifier”... — writing is also taken by Jacques Derrida, as an internal feature of language itself. Based on the same critical grounds we will read, not only Michel de Certeau, in his L’Écriture de l’histoire, on a certain colonial modernity, marked by the binary opposition writing/orality, but also Mia Couto’s own idea that, if culturally and politically imposed as the source of a unique knowledge, the common sense notion of writing will turn out to be a last haven for racism.
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