Vol. 37 No. Esp. (2026): Camões without End

capa da Convergência Lusíada Esp. Camnões 2026

Guest Editor:
Gilda Santos (UFRJ / RGPL/PPLB)

Published: 2026-09-23

INTRODUCTION

  • Camões without end

    Gilda Santos
    9-16
    DOI: https://doi.org/10.37508/rcl.2026.nEsp.a1508
  • Message of greetings

    Isabel Brilhante Pedrosa
    17-18
    DOI: https://doi.org/10.37508/rcl.2026.nEsp.a1509

Overture

  • Camões, the song of the eternal in a strange land: reflections on “Os rios que vão”

    Ana Paula Tavares
    19-24
    DOI: https://doi.org/10.37508/rcl.2026.nEsp.a1485

DOSSIER

  • Proposition and Anti-Proposition in Os Lusíadas

    Helena Carvalhão Buescu
    25-36
    DOI: https://doi.org/10.37508/rcl.2026.nEsp.a1484
  • The Rhymes of Camões: new readers, new challenges?

    Maria do Céu Fraga
    37-59
    DOI: https://doi.org/10.37508/rcl.2026.nEsp.a1495
  • Camões’ death. A topos in the biographies of Camões

    Vanda Maria Anastácio
    60-105
    DOI: https://doi.org/10.37508/rcl.2026.nEsp.a1501
  • Pessoa & Camões

    Isabel Almeida
    106-132
    DOI: https://doi.org/10.37508/rcl.2026.nEsp.a1496
  • The Jorge de Sena’s endless Inês

    Rodrigo Xavier
    133-146
    DOI: https://doi.org/10.37508/rcl.2026.nEsp.a1480
  • What will you do with this book? Camões in Saramago

    Sara Grünhagen
    147-166
    DOI: https://doi.org/10.37508/rcl.2026.nEsp.a1481
  • Camões on Brazilian stages

    Márcio Ricardo Coelho Muniz
    167-196
    DOI: https://doi.org/10.37508/rcl.2026.nEsp.a1479
  • Reading and censorship of Camões in O Ateneu by Raul Pompeia

    Gilberto Araújo
    197-225
    DOI: https://doi.org/10.37508/rcl.2026.nEsp.a1482
  • Camoens, as far the eyes can see: The Triumph of Maximilian I and Eugenio D’Ors’ Baroque

    Julio Bandeira
    226-247
    DOI: https://doi.org/10.37508/rcl.2026.nEsp.a1486
  • The presence of Camões in Brazilian art during the time of John VI

    Paulo Knauss
    248-275
    DOI: https://doi.org/10.37508/rcl.2026.nEsp.a1498

VARIA

  • Zé Andrade, Salomão Rovedo e Camões: when popular art recreates literary memory

    Gilda Santos
    276-285
    DOI: https://doi.org/10.37508/rcl.2026.nEsp.a1490