Presença de Eça de Queirós, Ramalho Ortigão, Rafael Bordalo Pinheiro no debate e na polêmica naturalista no Brasil

Authors

  • Jean-Yves Mérian Universidade de Rennes 2- Haute Bretagne

Keywords:

Rafael Bordalo Pinheiro, Ramalho Ortigão, Eça de Queirós, naturalism in Brazil

Abstract

The naturalistic and realistic aesthetic only developed to some extent in Brazil after 1881 with the release of O Mulato by Aluizio de Azevedo, three years after the famous "Primo Basilio polemic''. This new aesthetic style cannot be separated from either the social and political reform spirit nor the progress, which in that time moved young intelectuais and writers inspired in Brazil and in Portugal by the evolutionary theories and the positivist philosophies. Eça de Queiros, Ramalho Ortigao with As Farpas e Cronicas polémicas, in Recife's and Rio de Janeiro's newspapers, Bordale Pinheiro with his caricatures published in the sa­tírica! newspapers of Brazil's capital embodied essential a mediation for the promotion of new ideas between Brazil and Europe after 1871. Given their contributions to Bra­zilian newspapers after 1880 both writers eventually became authentic Portuguese and Brazilian authors.

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Author Biography

Jean-Yves Mérian, Universidade de Rennes 2- Haute Bretagne

Jean-Yves Mérian é professor titular de estudos brasileiros na Universidade de Rennes 2- Haute Bretagne.
Titular de um Doctorat d'État sobre Aluísio Azevedo e o naturalismo no Brasil. Diretor da Equipe d'accueil doctorale des langues romanes da Universidade de Rennes 2. Suas pesquisas atuais giram em torno da problemática identitária e racial no Brasil de fins do século XIX aos nossos dias.

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Published

2007-12-30

How to Cite

Mérian, J.-Y. (2007). Presença de Eça de Queirós, Ramalho Ortigão, Rafael Bordalo Pinheiro no debate e na polêmica naturalista no Brasil. Converência Lusíada, 21(24), 211–224. Retrieved from https://convergencialusiada.com.br/rcl/article/view/561

Issue

Vol. 21 No. 24 (2007): 3rd Colloquium of PPLB - Between Enlightened and Romantics

Section

VARIA

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