“Hoje somos festa, amanhã seremos luto” – a reading from the favela in Drummond and MC Smith
DOI:
https://doi.org/10.37508/rcl.2024.nEsp.a1315Keywords:
Drummond, Funk Carioca, Necropolitics, FavelaAbstract
In this text intend to approach the 12th stanza of the poem “Favelário Nacional”, by Carlos Drummond de Andrade, present in the book Corpo (1984), and the song “Vida Bandida Parte 1”, by MC Smith, composed by Thiago dos Santos ( Praga) which, despite being distant in time and being written from two different social perspectives, address how capitalism, violence and racism construct new forms of death and mourning in the individual. In both, it is possible to see how the State, based on the concept of Necropolitics (2018), delimits the conditions of the individual. This analysis, therefore, turns to thinking about the marginalized bodies in Drummond and MC Smith and reflecting on the favela based on what Frantz Fannon says in Os condenados da terra (2022) about the division between the city of the colonizer and the city of the colonized. Thus, it is possible to see in both writings that the Brazilian State offers, in different ways, oppression to certain bodies that, even with death and mourning intertwined with the place, celebrate because they exist and when they do not celebrate, it is as if they didn’t exist.
Downloads
References
ANDRADE, Carlos Drummond. Corpo. São Paulo: Companhia das Letras, 2015.
BARTHES, Roland. A aventura semiológica. Tradução de Mário Laranjeira. – São Paulo: Martins Fontes, 2001.
FANON, Frantz. Os condenados da terra. Tradução de Ligia Fonseca Ferreira, Regina Salgado Campos. Rio de Janeiro: Zahar, 2022.
FILHO, Orlando Cariello. As políticas federais de habitação no Brasil (1964 a 2002) e a reprodução da carência e da escassez da moradia dos trabalhadores. 2011. Tese (Doutorado em Arquitetura e Urbanismo) – Faculdade de Arquitetura e Urbanismo, Universidade de Brasília, Brasília (DF), 2011
MARTINS, Leda Maria. Performances do tempo espiralar, poéticas do corpo-tela. Rio de Janeiro: Cobogó, 2021.
MBEMBE, Achille. Necropolítica: Biopoder, soberania, estado de exceção, política de morte. Tradução de Renata Santini. São Paulo: N-1 Edições, 2018.
SANTOS, Artur Vinícius Amaro. “Vem pra Selva, Vem!”: a festa, a favela, a violência e a morte nas narrativas do Baile da Selva no Complexo da Penha. Dissertação (Mestrado em Literatura Comparada) – Faculdade de Letras, Universidade Federal do Rio de Janeiro, Rio de Janeiro, 2023.
SIMAS, Luiz Antônio & RUFINO, Luiz. Fogo no mato: a ciência encantada das macumbas. – 1° ed. – Rio de Janeiro: Mórula, 2018.
VIDA bandida. Intérprete: MC Smith. Compositor: de Thiago dos Santos (Praga). Rio de Janeiro (Chatuba, Complexo da Penha), 26 de jul. 2009. Soundcloud: @carlos-palombini. Disponível em: https://soundcloud.com/carlos-palombini/mc-smith-vida-bandida-dj-byano-ao-vivo-na-chatuba. Acesso em: 14 mar. 2024.
Downloads
Published
How to Cite
Issue
Section
License
Authors who publish in Convergência Lusíada agree with the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-NonCommercial 4.0 International License (CC-BY-NC 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors may enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal’s published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.
Revista Convergência Lusíada is licensed under a Creative Commons - Atribuição-NãoComercial 4.0 Internacional.